The Holmes Brothers return with STATE OF GRACE, produced by Craig Street (Norah Jones, Chris Whitley, Cassandra Wilson) who also produced Simple Truths. Noted for their ability to transform songs by legendary writers from The Beatles to Tom Waits to Bob Marley, The Holmes Brothers push that tradition even farther on STATE OF GRACE. They expertly reinvent songs by writers as diverse as John Fogerty (Bad Moon Rising), Cheap Trick (I Want You To Want Me), Hank Williams, Sr. (I Can’t Help It If I’m Still In Love With You), Nick Lowe (What’s So Funny ‘Bout Peace, Love And Understanding?), George Jones (Ain’t It Funny What A Fool Will Do), and Lyle Lovett (God Will, If I Had A Boat), delivering versions that need to be heard to be believed.

For the first time, several of The Holmes Brothers’ star friends add talents to the sessions. Levon Helm, drummer/vocalist from The Band, joined by his daughter Amy Helm, makes his first vocal recording since recovering from throat cancer with a heartfelt lead on I’ve Just Seen The Rock Of Ages. On the Hank Williams classic I Can’t Help It If I’m Still In Love With You, Wendell trades verses with Rosanne Cash in a mesmerizing performance. And old friend Joan Osborne (who has been touring as a vocalist with The Dead and Phil Lesh & Friends) steps out on a bluesy, storefront church version of Those Memories Of You. The Holmes Brothers interplay of their voices with their guests’ is simple, musical magic.

As incredible as they are as interpreters (OffBeat calls them “the best interpretive group working today”), The Holmes Brothers are equally talented songwriters. Exceptional originals Gasoline Drawers, Smiling Face Hiding A Weeping Heart, Close The Door and Standing In The Need Of Love showcase the same true-life stories, depth of feeling, heartbreak and humor found in the timeless songs they choose to cover. With one foot firmly planted in the secular world, The Holmes Brothers layer their songs with rich gospel harmonies and alternately rough-edged and tender vocals, producing what is undoubtedly their richest and most fully realized album.